Step with me into a parallel universe.
Technology got here a little faster, or art
didn't--anyway, it is 1828 and this blog was just
posted on the internet. By the way, the incidents
mentioned below are based on actual episodes in
the life of Beethoven:
It�s been nearly a year since one of music�s most
fascinating people passed away, and we are all still
really bummed out about it.
I first met Beethoven one night when I was surfing
for some cool videos on Youtube. He was on some list
of people with crazy hair. They had a clip of him
yelling at his landlady. It got a lot of hits. I
favorited it. So did all my friends. It was about a
year later that I found out he was on Facebook. I
had no idea he was into writing music. Apparently it
is the kind that nobody listens to because it is
really long and you can�t dance to it. Some people
started a �fans of Beethoven� page and tried to get
him to interact with them, but he was kind of snotty
and reclusive. I think this was just after he had
uploaded several of his early works and discovered
that the one that was getting the most hits was the
Choral Fanatasy, and that it was probably because it
had the word "Fantasy" in it, and a lot of guys were
hoping it was pornography. As a result, they only
listened to the first three seconds and quit after
they found out it had some not very sexy violins in
it. He posted a nasty letter about it one night when
he was feeling angrier than usual, but he later
confided to me that he had learned something
valuable from the whole experience, which was that
if you want people�s attention you had better grab
it fast. He played for me an arresting little idea
of four notes that he was hoping to use at the
beginning of a symphony. da-da-da-DAHHH! I wish I
could remember it better than that. Unfortunately he
never got around to finishing the symphony.
I think he was kind of busy with all the stuff on
Facebook. He was a really lonely guy and he kept
friending people all over the place, but he lost
them faster than anybody. I don�t think it helped
much the time he posted the Heilegenstadt Testament
online. This was a rambling document about how he
was going steadily deaf and how depressed and
isolated it made him feel. He was even thinking
about committing suicide. Several people wrote what
a downer he was being. But, he decided, he needed to
keep composing, because he had lots more stuff to
write. He put some of it on Sibelius.com, but nobody
really liked it much except for this one guy who
kept going on about how great it was, I think he was
called [email protected],
and he struck us all as a little weird. He liked to
talk about details in Beethoven�s orchestrations and
his use of sudden modulations like he was all that,
which I think ticked Beethoven off a little. But
then some theory professors started getting into it
with him. He must have spent hours posting nasty
things on their walls and throwing sheep at them.
They were convinced that he was doing horrible
things to music and he needed to just kill himself
in a particularly grotesque way, because that�s how
people talk online, you know? I don�t think they
actually meant it. I mean, other than that they
hated his music.
After a while Beethoven only posted in all caps. I
think he felt like he was shouting at the world to
overcome his deafness. But believe me, you didn�t
want to get into a discussion with him about art. He
seemed so depressed, though, that we tried to take
his mind off of it. We kept sending him links to
viral videos and dancing hamsters and saxophone
playing walruses and guys fighting each other with
mattresses and stuff. I suggested he set some of
those to music, but he wanted to work on some ballet
about Prometheus. Still, it seemed to help.
Sometimes he would spend all night with us in chat
rooms goofing around. I think after awhile he was
writing less music.
This was probably a good thing because I think that
was what was making him depressed in the first
place.
One time he wanted to rent a theater and have a
concert of a bunch of things he had written. I told
him that it would be much cheaper to just make MIDI
files out of all of it and post it online. That way,
nobody gets sore at you for making them sit through
a long concert in a cold theater, and you don�t have
to pay the musicians. He grumbled about it, but he
posted the files. I don�t think they got many hits.
For one thing, the titles were not that interesting.
Consirto and so-notta were his favorite titles.
Somebody wrote in the comments section to his blog
"that is so-not-a piece of music!" He really went
off on that guy.
That was before he got the webcam. He used to
stream his musical improvisations. They were pretty
popular for a while, but mostly because people
wanted to laugh at his hair. He really could have
used a comb once in a while. Then he got a page on
Myspace. The thing I remember about that was how
loud the music came on when you opened the page.
Everybody was just yelling.
One night he wrote on my wall that he was working
on a Symphony about Napoleon. I don�t think he got
very far with it. He used to start a lot of things
and then wind up in chat rooms and answering posts
from people. There was this time he was walking with
a student of his in a garden and he kept humming
this wild series of notes that he had come up with,
but when he went to write them down he noticed his
laptop was open and some guy wanted to chat with him
about how his music really sucked or some other
sophisticated observation like that and he forgot
what he was doing for eight hours. When he got to
the piano the idea was gone. I guess that must be
why he only wrote eight piano sonatas, which is a
lot less than Mozart.
Besides the two symphonies he wrote, the eight
so-nat-as and about half a piano concerto, he left
behind a lot of pieces he complained weren�t
finished yet, although they have enough music in
them for several television commercials, which is
what we think he really should have been doing. We
are going to try to upload as much of his music to
Youtube as we can if his estate doesn�t stop us.
Then there is this guy Schindler, who is a real
pain in the ass. He calls himself a friend of
Beethoven and he is a real control freak. He is not
very kind to the online community as a whole and he
doesn�t care who knows it. I�m afraid he�s going to
find a way to shut down Beethoven�s Facebook page.
That would be too bad. A lot of people are leaving
notes about how much they miss him, hair and all,
and I think it�s safe to say the internet won�t see
anybody like him in a long time.